{"title":"18th \u0026 19th Century Subjects","description":"\u003cp\u003e\u003cspan\u003eThe 18th and 19th centuries were a time of intellectual awakening, where science, art, and philosophy reshaped the world, with printmaking serving as the principal conduit for the dissemination of knowledge. Advances in engraving, mezzotints, and lithography brought history, portraiture, and the natural sciences to a growing audience, making discoveries and complex ideas more accessible than ever. Today, these prints are treasured not just as records of knowledge but as works of art, embodying the vision, skill, and craftsmanship of their creators. More than mere illustrations, they reflect the spirit of their time, reminding us that the pursuit of knowledge and beauty are often one and the same.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"flying-machine-from-edinburght-in-one-day-preform-d-by-moggy-mackensie-at-the-thistle-and-crown-the","title":"Flying Machine from Edinburght in one Day, preform'd by Moggy Mackensie at the Thistle and Crown.  The,","description":"","brand":"My Art Dealer","offers":[{"title":"Default Title","offer_id":42709276196942,"sku":"85520-1","price":650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0634\/7033\/8126\/files\/85520-1.jpg?v=1755722047"},{"product_id":"exercise-of-arms-plate-29","title":"Exercise of Arms, Plate 29.","description":"\u003cp\u003eRare copper engraving by Jacob de Gheyn. 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Created around 1620 to 1623, the print portrays an elegantly dressed nobleman, richly adorned with a fur-lined plastron and posed with quiet confidence. The precise handling of the etching needle and the controlled use of line and shadow reflect Callot's mastery of the medium and his keen eye for texture and costume.\n\u003c\/p\u003e\u003cp\u003e\nJacques Callot (1592-1635) was among the first artists to dedicate himself exclusively to printmaking, producing a vast body of work that ranged from courtly pageantry and theatrical scenes to piercing social commentary. After beginning his career at the Medici court in Florence, where he illustrated festivals and the lives of the nobility and common folk alike, Callot returned to France, where his work took on a more somber tone. His later series, such as The Miseries of War, deeply influenced how artists depicted the realities of conflict for centuries. 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Von Schwendi is shown standing in full armor, facing forward with a baton in his right hand and his left hand resting on his hip. He is framed within an architectural niche flanked by ornate Corinthian columns, evoking the grandeur of classical portraiture and emphasizing both the elegance and authority conveyed by his finely crafted armor.\r\n\u003c\/p\u003e\u003cp\u003e\r\nPrinted in 1605 as part of the third edition of Armamentarium Heroicum, this portrait was created to document and celebrate the renowned arms collection of Archduke Ferdinand of Tyrol, preserved at Ambras Palace near Innsbruck. The series, comprising 125 engravings after drawings by Fontana, was intended as a visual catalog of historic suits of armor once owned by notable military figures. Each portrait is paired with a Latin biography written by the Archduke's secretary, Jacob Schrenck von Notzing. Combining engraving, etching, and woodcut techniques, the print reflects the artistic and intellectual ambition of the period and serves as both a record of von Schwendi's personal martial legacy and a testament to the cultural significance of early European arms collecting.\u003c\/p\u003e","brand":"My Art Dealer","offers":[{"title":"Default Title","offer_id":42808417157198,"sku":"102896-1","price":215.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0634\/7033\/8126\/files\/102896-1_fc6f3b21-d991-4bf6-b483-103f79d8f0bb.jpg?v=1755704235"},{"product_id":"exercise-of-arms-plate-41","title":"Exercise of Arms, Plate 41.","description":"\u003cp\u003eRare copper engraving by Jacob de Gheyn. From his renowned early work on the exercise of arms, \"Wapenhandelinge van Roen Musquetten ende Spiessen.\" De Gheyn's work is prized for its striking depictions of early 17th-century uniforms, weapons and military accouterments. 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Compiled and published by Richard Blome (1635-1705).\u003c\/p\u003e","brand":"My Art Dealer","offers":[{"title":"Default Title","offer_id":42808417288270,"sku":"95293-1","price":185.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0634\/7033\/8126\/files\/95293-1_dcfdff5f-736c-43fe-975c-6bee8c2b9eb7.jpg?v=1755704233"},{"product_id":"portrait-of-cornelius-bentivolius","title":"Portrait of Cornelius Bentivolius","description":"\u003cp\u003eThis impressive full-length portrait of Cornelius Bentivolius, a distinguished figure of the sixteenth century, was engraved by Dominicus Custos after a design by Giovanni Battista Fontana. Bentivolius is shown standing in a commanding pose, wearing a beautifully adorned breastplate and helmet that emphasize the richness and craftsmanship of his armor. He is framed within an architectural niche flanked by ornate Corinthian columns, evoking the grandeur of classical portraiture and underscoring his nobility and martial stature.\r\n\u003c\/p\u003e\u003cp\u003e\r\nPrinted in 1605 as part of the third edition of Armamentarium Heroicum, this portrait belongs to a monumental series of 125 engravings depicting the celebrated arms collection of Archduke Ferdinand of Tyrol, preserved at Ambras Palace near Innsbruck. Based on drawings by Fontana, the series combines engraving, etching, and woodcut techniques, and each portrait is accompanied by a Latin biography written by the Archduke's secretary, Jacob Schrenck von Notzing. 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With Machaon wounded and Achilles still withdrawn in anger, Nestor implores Patroclus either to persuade Achilles to return or, failing that, to don his armor and lead the Myrmidons himself. Bouttats renders the emotional weight of this moment with expressive figures and classical architectural elements, characteristic of his refined, linear style. Likely produced for a mid-17th century illustrated edition of the Iliad, the engraving foreshadows the tragic course of events that leads to Patroclus' death and Achilles' return to battle.\u003c\/p\u003e","brand":"My Art Dealer","offers":[{"title":"Default Title","offer_id":42808417386574,"sku":"102916-1","price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0634\/7033\/8126\/files\/102916-1_2e9c70b0-2db2-4946-9421-42356e6eefa1.jpg?v=1755704232"},{"product_id":"the-scenography-of-a-town-and-castle","title":"The Scenography of a Town and Castle...","description":"\u003cp\u003eThis leaf from The Gentleman's Recreation, a two-part work compiled and published by Richard Blome (1635 to 1705), offers a snapshot of the knowledge expected of a gentleman during that time. The first part serves as an encyclopedic overview of the arts and sciences, covering subjects such as cosmography, heraldry, arithmetic, and architecture. 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The portrait is framed within an ornate oval cartouche bearing a Latin inscription, topped with the royal crown and accompanied by additional Latin text below. 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Ravesteyn, a prominent Dutch portraitist of the early 17th century, is depicted with dignified simplicity, his gaze calm and direct, reflecting the quiet authority of his profession. The print combines van Dyck's expressive sensitivity with the technical precision of the engraver, offering a timeless tribute to the stature of the sitter and the esteem in which he was held by his contemporaries.\u003c\/p\u003e","brand":"My Art Dealer","offers":[{"title":"Default Title","offer_id":42808417648718,"sku":"102936-1","price":95.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0634\/7033\/8126\/files\/102936-1_7514cfce-7b43-4907-b46a-991dd3222041.jpg?v=1757003149"},{"product_id":"charles-roy-de-la-grande-bretagne-de-france-hibernie-c","title":"Charles Roy de la Grande Bretagne, de France, Hibernie, \u0026c.","description":"\u003cp\u003eThis engraving of Charles I, King of England, by Lucas Emil Vorsterman after a portrait by Sir Anthony van Dyck, presents the monarch in a stately three-quarter pose, wearing formal court dress with a lace collar and a sash or chain that denotes his royal rank. 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Initially serving as a market house and assembly room, it became renowned as the place where the Sons of Liberty declared their dissent against Royal oppression. For over 270 years, Faneuil Hall has been a forum for debates on crucial issues. In 1764, Americans first protested the Sugar Act and the Stamp Act here, establishing the doctrine of \"no taxation without representation.\" Subsequent gatherings protested the Townshend Acts, the Redcoat occupation, and the Tea Act.\u003c\/p\u003e\u003cp\u003e\n\nToday, Faneuil Hall is part of the Boston National Historical Park and a key stop on the Freedom Trail. The hall depicted in the engraving dates to 1826, when it was expanded to include Quincy Market due to Boston's rapid growth necessitating a larger marketplace. It was named in honor of Mayor Josiah Quincy, who organized its construction without any tax or debt. 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The detailed engraving captures the hall's architecture and its prominence in 18th-century Boston, as it would have been known to the people during the Revolutionary War.\u003c\/p\u003e\u003cp\u003e\n\nFaneuil Hall was a gift to Boston from colonial merchant Peter Faneuil and was designed by artist John Smibert. It initially served as a market house and assembly room. The building depicted in the engraving is the one rebuilt in 1762 after a fire destroyed the original structure in 1761.\u003c\/p\u003e\u003cp\u003e\n\nRenowned as the place where the Sons of Liberty proclaimed their dissent against Royal oppression, Faneuil Hall has been a forum for debate on crucial issues for over 270 years. In 1764, it was here that Americans first protested the Sugar Act and the Stamp Act, establishing the doctrine of \"no taxation without representation.\" Subsequent gatherings protested the Townshend Acts, the Redcoat occupation, and the Tea Act. 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The print was created around 1790 and appears as the frontispiece in the January 1790 issue of \"The Massachusetts Magazine, or, Monthly Museum of Knowledge and Rational Entertainment.\" Hill beautifully captures the celebratory atmosphere and architectural detail of the temporary structure erected to commemorate Washington's visit.\u003c\/p\u003e","brand":"My Art Dealer","offers":[{"title":"Default Title","offer_id":42808418992206,"sku":"101654-1","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0634\/7033\/8126\/files\/101654-1_1f467df0-8936-4ee9-987d-bd570ced48f8.jpg?v=1757001312"},{"product_id":"boston-scenes","title":"Boston Scenes.","description":"\u003cp\u003eA 19th-century composite of the landscape and notable landmarks of Boston in the Victorian era, captured as an engraving and handcolored to highlight the details. From \"Picturesque America; or, The Land We Live In,\" edited by William Cullen Bryant. 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Engraved by Paolo Fumagalli, this piece draws inspiration from Thomas Pownall's 1757 depiction of Boston. Ferrario, who founded the 'Societa Tipografica de Classici Italiani' and served as director of the Braidense National Library, worked with notable artists like Gallo Gallina, A. Biasioli, and Angelo Monticelli on this significant work. The original blindstamp is located at the bottom right of the image.\u003c\/p\u003e","brand":"My Art Dealer","offers":[{"title":"Default Title","offer_id":42808419287118,"sku":"101680-1","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0634\/7033\/8126\/files\/101680-1_c67d2d2e-6aae-43c0-bea7-722b35a0858a.jpg?v=1757001309"},{"product_id":"the-new-state-industrial-school-for-girls-at-lancaster-mass","title":"The New State Industrial School for Girls, at Lancaster, Mass.","description":"\u003cp\u003eA 19th-century depiction of the New State Industrial School for Girls, captured as a wood engraving and handcolored to highlight the details. The Lancaster Industrial School for Girls was a reform school on Old Common Road in Lancaster, Massachusetts. 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In the foreground, fishermen are depicted drying and salting cod, showcasing the town's rich maritime heritage and bustling fishing industry.\u003c\/p\u003e","brand":"My Art Dealer","offers":[{"title":"Default Title","offer_id":42808419385422,"sku":"38770-2","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0634\/7033\/8126\/files\/38770-2_75151fc8-586d-4bd1-9a86-9d1243ca1fcb.jpg?v=1757001308"},{"product_id":"oxford-ms-massachusetts","title":"Oxford, MS. (Massachusetts)","description":"\u003cp\u003eA 19th-century lithograph by Thayer \u0026amp; Co. Lithographers, Boston, features an early view of Main Street in Oxford, Massachusetts. Daniels, a local historian, later wrote a comprehensive history of the town. This lithograph captures the essence of Main Street during that period, showcasing detailed architecture and offering a glimpse into the daily life of the town's residents.\u003c\/p\u003e","brand":"My Art Dealer","offers":[{"title":"Default Title","offer_id":42808419418190,"sku":"87624-1","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0634\/7033\/8126\/files\/87624-1_ab782abe-8404-47ad-9cd3-73cb485a098c.jpg?v=1757001307"},{"product_id":"colby-iron-works-lanesboro-mass","title":"Colby Iron Works. Lanesboro, Mass.","description":"\u003cp\u003eA 19th-century lithograph of the Colby Iron Works from the \"County Atlas of Berkshire Massachusetts\" by F. W. 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This view depicts the alms house at Bridgewater as it was around 1855.\u003c\/p\u003e","brand":"My Art Dealer","offers":[{"title":"Default Title","offer_id":42808419713102,"sku":"91169-1","price":225.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0634\/7033\/8126\/files\/91169-1_8b1593a3-6491-4a70-b61b-fd3d8cc97680.jpg?v=1757001305"},{"product_id":"massachusetts-boffin-s-bower-boston","title":"Massachusetts.- Boffin's Bower, Boston.","description":"\u003cp\u003eA 19th-century view of Boffin's Bower, Boston, captured as a wood engraving and handcolored to highlight the details.\n\u003c\/p\u003e\u003cp\u003e\n\nJennie Collins (1828-1887) was an American labor reformer, humanitarian, and suffragist. Orphaned as a child, she began supporting herself at 14 by working in cotton mills and later as a domestic and seamstress. Collins was active in the abolitionist and labor movements, volunteered in military hospitals during the Civil War, and founded Boffin's Bower, a charity for poor working women in Boston. In 1870, she addressed the National Woman Suffrage Association convention in Washington at Susan B. Anthony's invitation. The following year, she published \"Nature's Aristocracy; Or, Battles and Wounds in Time of Peace. 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